The visual design, or aesthetics, of a web site is the primary focus of this article.
Webster’s New Collegiate Dictionary defines aesthetics as “artistic” or “a pleasing
appearance or effect.” Aesthetics for a web site encompass anything with visual communication
characteristics: color, layout, graphics, fonts, input forms, and navigation.
We use visual elements to clarify the site’s underlying structure and to provide an
appropriate look and feel, or context. The design should provide a visual identity and
visual consistency that carries throughout the entire site. Just like a design for a building
or an automobile, the visual design for a web site must be appropriate.
Why are aesthetics so important? Well, we do judge a book by its cover (envision the
cover of a romance novel versus a book of photography of Ireland), a restaurant by
its exterior (think McDonalds versus Olive Garden), and, ultimately, a web site by its
design. If visitors are looking for children’s toys, they are probably going to spend
very little time on a site with a dull visual design, all in shades of grey.
Visual Design versus Usability
There have been two starkly opposing viewpoints when it comes to the visual
design of a site. Usability gurus like Jakob Nielsen (www.useit.com) have traditionally
expounded that web sites should be usable, not pretty. Almost anything done just for
visual effect, he believes, gets in the way of usability. Starkly functional minimalism is
the goal; images, colored backgrounds, and fancy layouts should all be avoided. Black
text on a white background with few or no graphics would be the ideal web page. To
be fair, the usability folks have softened their position a bit in the last few years, but
nonetheless, the stricter advocates still favor “plain vanilla” web sites.
The opposing viewpoint promotes the web as an “experience.” Consequently, web
sites should take advantage of the uniqueness of the medium…stretch the limits of
the medium…challenge/engage/mystify/amuse/enthrall the visitor. A terrifi c visual design creates meaning, provides context, and evokes emotion. It can engage a visitor
and reassure him about the professionalism and reliability of the site.
It can also
establish focus, create emphasis, establish relationships between site elements,
and guide the user to accomplish his mission. All of this is important for the visitor’s
experience as well as his understanding of the site. The fl ip side is that the “web as
an experience” folks, left unchecked, might well deliver gorgeous web sites that are
mystifying to navigate, diffi cult to decipher, and nightmares to download.
Fortunately for all of us using the web, neither side of the argument is totally right,
nor totally wrong. In fact, usability and aesthetics don’t have to be at odds on the web
any more than they are in architecture. After all, a talented architect can craft a building
that is both eminently functional and beautiful to behold. In the architecture of a
building, form (the visual design) can indeed follow function (the building’s usability).
Why can’t the same balance apply to the web? Why can’t we have beauty and functionality?
After all, the web is, as we said right off at the beginning of this article, fi rst
and foremost a communication medium, much like print media. If we encountered
a magazine with no pictures, in most cases we would dismiss it as an amateur production,
cheaply made. So too it is on the web. And over time, this idea of balance is
starting to inch toward the mainstream. In fact, some usability gurus (notably Jared
Spool, www.uie.com) have grasped the fact that that web site form and function are
not necessarily at odds with each other.
So let’s do our best to balance form and function. If usability factors make a site
functional, visual design makes it memorable. We aim for both.
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